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ZAK is a breakthrough phenomenon on the metaplane of the ANSI collective.
Transcending the postmodern era hegemony of ANSI structuralization, the
duo of Z and AK Chronically misinterpreted artists Zeus II and
AlphaKing, rebel against formality and concepts of scene respect via
this bold interpretation of the Batman as an unknown, carrying the bomb as
a representation of the metaphysical end of the ANSI universe, all the while
surrounded by the mystification of Jokerism and the annihilation and
simultaneous questioning of Batman as a hero or metaphysical figure by
juxtaposing a grand challenge of his traditional coloring with the removal
of his face entirely, surrounded by the question marks of the Joker. A final
distillation of the piece leads the viewer to an essential and necessary
confrontation of their true core values as an ANSI fuckboi.
Transcending the postmodern era hegemony of ANSI structuralization, the
duo of Z and AK Chronically misinterpreted artists Zeus II and
AlphaKing, rebel against formality and concepts of scene respect via
this bold interpretation of the Batman as an unknown, carrying the bomb as
a representation of the metaphysical end of the ANSI universe, all the while
surrounded by the mystification of Jokerism and the annihilation and
simultaneous questioning of Batman as a hero or metaphysical figure by
juxtaposing a grand challenge of his traditional coloring with the removal
of his face entirely, surrounded by the question marks of the Joker. A final
distillation of the piece leads the viewer to an essential and necessary
confrontation of their true core values as an ANSI fuckboi.
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