Once Upon of time
there was a COViD-19
all over the globe...
0DD cXc
List of Participating Artists
Atonalospreys credentials and qualifications for participating in an
undertaking such as the commission of this computer artpack are so increasingly
abundant -- now moreso than ever! -- that it would be pointless to elaborate
upon at any further length.
youtube.com/user/antonvanoosbree / instagram.com/atonalosprey
Mike Blippypixel Rose is a digital artist whose tastes veer toward the
vintage in electronic music and visuals, dabbling in low-poly 3D modeling,
LED pixelart, and teletext as well as work in the distinctive palette of the
BBC Micro.
instagram.com/blippypixel
CoaXCable is a helpful sort, always happy to throw in a handful of blocks on
short notice. Wherever we have a rough spot, hes holding it together.
A few years following the release of the final Mist Classic artpack collection,
c00k13m0n5t3r was born. The generational gap might well be nigh
insurmountable, had we not the mutual love of quality pixelart. Its timeless!
instagram.com/c00k13m0n5t3r
Dwimmer began with an interest in fractals and programming art and in a
roundabout fashion found their way to the demoscene and textmode arts,
including ANSI, ASCII and PETSCII.
instagram.com/dwimmer.tm
FarrellLego prefers a broader canvas for his brick mosaics, engaging all
manner of nerdy subjects against grey studded backings... hoping against hope
that he doesnt, again, run out of pieces!
instagram.com/farrelllego
Godfather is the System Operator of the Underground BBS, and has taken the
opportunity of revisiting the bulletin board realm to finally indulge a
turn-of-the-century interest in the creation of ANSI art.
www.theunderground.us:10023
Grymmjack celebrated us in the 20th century and was baffled on the occasion of
our revival, but in the fullness of time he has come back around to his initial
response, jumping with both feet into manifesting our intention as a crossroad
for computer creativity.
twitter.com/grymmjack
A genuine professional teletext illustrator two decades hence, Steve
Horsenburger Horsley has recently returned to the game for love of the art:
Its kind of frustrating to discover you are good at something only to
realise its pointless in todays world, but I just really like doing it so I
am going to carry on. We feel your pain, Steve! At his website you can
commission original teletext creations from him, so dont delay to get your
own piece of textmode art history!
horsenburger.com
Illarterate is a multimedia artist from Wigan, UK. Despite attempts to
modernise, he will forever be known as That Guy That Does Teletext Art. But
whoever said thats a bad thing?
twitter.com/illarterate / teletextart.tumblr.com
danfarrimond.co.uk / portfolio.illarterate.co.uk
Perhaps our all-time youngest contributor, but if everyone her age celebrates
the changing times with digital art the way she does, perhaps the kids are
alright.
Every medium has several modes: a pre-modern approach, a clean modern
style, and a post-modern detournement, often in the glitch idiom. In
Jellica Jake, teletext has found its glitch ma/onster! It is such a simple
3-bit medium there quite simply isnt the complexity needed for things to go
really wrong, but somehow this artist, doing more with less, has found depths
of texture to imply psychological profundity between the lines.
twitter.com/jellicajake / instagram.com/jellica / kittenrock.co.uk
Taking inspiration from the basic medium of ASCII art, Joni nscii Caparas
treats the characters as design elements on a black canvas, in a fashion
similar to, but fundamentally different from, artscene ASCII practice.
Basically, from their base in Berlin theyve reinvented the artform from first
principles.
instagram.com/joninscii / jonicaparas.com
Kazunari Kalcha Naito represents the tip of an iceberg we know little of and
understand still less of -- Japans ShiftJIS parallel textmode art scene. His
works are informed by his interests in 70s prog rock, jazz, and fine art.
The idea was so great it was inevitable that it would spontaneously emerge in
different contexts: Kurogao is another visionary straddling the related but
very different worlds of ASCII art and emoji typography, blending both into
single-panel vignettes.
instagram.com/kurogao96
Part of a feral tribe of uncontacted textmode artists at the 8bitMUSH at
ANSIART.COM, LDA emerges from a family pixel art concern to grace us with the
imagery of his people.
LittleBitSpace experiments with ASCII art, now turning it into a line art
medium, now dabbling with the use of negative space, superimposed for effect
against high resolution backgrounds.
instagram.com/littlebitspace
Mavenmob is an interesting case, informed by equal parts of the philosophy of
J. Krishnamurti and his artscene youth in Blade and Echo. His most recent
undertaking is a game called The Word Is Not The Thing. Our lit division
may need to beg to differ.
mavenmob.com / instagram.com/mavenmob
You wont see any of Mavriks creative work in this archive, but theres a very
good chance that the collection will have passed through his graciously-offered
web hosting at mistigris.org en route to you, picking up from his historical
facilitator role greasing the gears of Mists KiTSCHNet echomail network from
its home at Daemons Gate BBS.
daemonsgate.com
Max Mouse, mysterious denizen of our home area code of 604, has found his way
-- once again -- back to BBSes and ANSI art after a long time soaking up the
rays of enlightment.
twitter.com/MaxMouse
An old dog doing new tricks, MeaTLoTioN has made a return to the BBS scene
after many years away, and this time is trying his hand at some textmode art,
contributing to the UK scene with some attempts at being creative. On a
normal day he enjoys red meat, vegetables, plenty of greens and a shipping
ton of gravy.
meatlotion.com
Migmoog brings an animators demented sensibilities to the realm of pixelart.
@migmoog
Part of a peculiar current of untapped anxious ANSI art energy charging new
talents on the periphery of the digital underground, this time around Odd got
zapped with the voltage.
@TheOddFireCat
Mr Polyducks, Esquire, is an artist and web game programmer living in greater
Manchester, UK. His interests are in tile-based, PETSCII and pixel artwork
using limited palettes. Often presents his bio in the third person.
pixeljoint.com/p/125346.htm / polyducks.co.uk / twitter.com/polyducks
prunes: storytelling pixelartist or pixel-illustrating storyteller? Why not
both?
instagram.com/prunesart
Sassafras, our initial gateway to the FANSI world of the 8bitMUSH, makes
another sporadic appearance from the wilder reaches of textmode art.
ansiart.com/Info/Artist/Sassafras
Ed Starstew Stastny is that rare synthesis suggested in the two-word phrase
computer artist, practicing a species of net.art at SITO continually since
even prior to the establishment of Mistigris. Having mastered and
subsequently discarded so many styles and approaches, wearing the masks of a
half-dozen faux handles he could easily masquerade as an entire artgroup. Or
has he in fact been doing this... all along?
instagram.com/starstew / starstew.tumblr.com
Whazzits history with Mistigris dates back to our 1994 inception, and though
our paths diverged before long, when talk of our 2014 revival came up he was
right there on the front lines with the impossible -- a seemingly endless font
of fresh ideas of new applications for a positively archaic artform.
instagram.com/whazzitb7
From Twilight, the Legion, Avenge, Fire, Fuel and through to Blocktronics, the
Swede known as Zeus II is a one-man ANSI art industry. Also, a hell of a cook!
twitter.com/ZeusII
MISTIGRIS DISTRIBUTION SITES:
telnet://bbs.inktwo.com:23
16colo.rs/group/mistigris
artpacks.org
mistigris.org
instagram.com/mistfunk
twitter.com/mistfunk
discord.gg/9R84QUN
tumblr.com/mistfunk
and our usual round of greetz to our colleagues at: blocktronics.org, Lazarus,
Legacy, impure.nl, amish.0w.nz, galza.org, Fire Dream, Break, CoolPhat, the
2XL crew, @hirmuofficial, paleotronic.com, soundcloud.com/bitcouver, pHluid,
vanchipmusic.ca, null e-mag, ArakNet and TABNet!
vaccinate
or
get bonked*
COViD19 * and then
Vaccine vaccinated
20.21